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In 1923, Egyptologist Flinders Petrie was knighted. To mark the occasion, UCL students wrote him a pantomime: Flinderella: A Knight in Egypt. An anticipated one-night-only spectacular, this gesture was a fond one – but not one without criticism, with barely hidden jabs at ethically dubious practices.

One century later, we revisit this forgotten show with a three-part series, including a reimagined performance. Between investigations on eugenics, decolonial practice and calls for repatriation, what has become of Flinderella? And who else should we be singing about?

Events

In April – May 2024, threeÌýevents tookÌýplace in the Petrie Museum of Egyptian and Sudanese Archaeology to critically reflect on the legacies of Flinders Petrie, archaeological practice then and now, and future trajectories for public archaeology.

Thursday 25 April 2024 6-8pm

This panel discussed the importance of ephemera in archaeology collections giving light to otherwise undocumented historical moments, the place that dramatic productions occupy in UCL history and an insight into past »Ê¼Ò»ªÈË student productions. This event hadÌýcomplementary tours of ‘Generation UCL: 200 Years of Student Life in London’ led by UCL academics and exhibition curators Georgina Brewis and Colin Penman.

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Tuesday 30 April 2024Ìý6-8pm

A reimagined one-night spectacular of Flinderella, 101 years on from the original performance. Written, produced and performed by UCL students from a mixture of Student Union societies and UCL departments, this play wittily and provocatively broughtÌýthe spirit of Egyptologist Flinders Petrie back to life with a contemporary spin.

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Thursday 2 May 2024 6–8pm

Please note this roundtable isÌýopen toÌýstudents and early career archaeologists only

Inspired by UCL students’ satirical take on the legacy of archaeologist Matthew Flinders Petrie through the 1923 revue musical ‘Flinderella: A Knight in Egypt’, this student-focused forum discussedÌýcontemporary radicalism in public archaeology. What new ways are being utilised to engage groups in the archaeology of their localities? What can be learnt from a 101-year-old play to question societal norms surrounding archaeological practice that may still be pervasive today? What role doÌýequity, agency and social justice play in public archaeology? Who are the arbiters ofÌýthese narratives? AÌýlively discussion followedÌýthe presentation of threeÌýcase studies on contemporary public archaeology.

Reimagining Flinderella is co-conceived by Lisa Randisi, Curatorial and Collections Assistant for the Petrie Museum and Sarita Mamseri, Public Programme Manager for UCL Museums. The project is steered with support from Dr Anna Garnett, Curator for the Petrie Museum; George Paris, Content Producer for Programmes; Roberta Livingston-McDonald, theatre producer and playwright and Helen Douglas,ÌýMuseum Visitor Services Assistant for UCL Museums.